Strange at your fingertips? Thanks to MotionVFX (again), those burning portals can be turned into your very own transitions. It’s all there – the green hue, the Transitions, the typeface and, of course, the falling numbers. These may be single-use, one-joke, plugins but I think that is exactly what free plugins are for: When you need just that one title, effect, or joke but don’t want to spend oodles of hours custom building it.įor the look of The Matrix, check out mMatrix from MotionVFX. Just consider this Transition plugin a groovy throwback to help signify a flashback with a bit of a wink at the same time. If you don’t know who/what Scooby Doo is, how about Austin Powers? No? Okay, never mind. Alex 4D Flashback (aka the Scooby Doo effect, by Alex Gollner) There will be one shot, one day, that just needs that jumpy grainy feel. Maybe the coolness of Super 8 has peaked, but I think every editor has to have an effect that makes footage look like it was shot on an old school Super-8 camera. An adjustment layer is particularly handy for color grading adding LUTs as all of the shots beneath the adjustment layer will quickly have the same look. By placing one, like you would place a Title, over your entire movie any settings, formatting, or Effects you apply to it will apply to your whole movie. mAdjustment Layer (MotionVFX)Īn adjustment layer is a container for all kinds of effects. Three out of my four favorite productivity plug-ins come from a company called MotionVFX, and limiting it to three was hard because they make such great products and have so many free plug-ins and templates. Swish Transitions (Andy Mees via FxFactory) Some Motion templates on this webpage are available from.Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio and iMac. Prerelease Final Cut Pro 10.6.2 tested using a complex 5-minute project with 8K ProRes 422 media. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD, as well as production 3.6GHz 10-core Intel Core i9-based 27-inch iMac systems with Radeon Pro 5700 XT graphics with 16GB of GDDR6, 128GB of RAM, and 8TB SSD.Prerelease Final Cut Pro 10.6.2 tested using a 5-minute project with 4K Apple ProRes 4444 media, at 3840x2160 resolution and 23.98 frames per second, transcoded to Apple ProRes 422. Performance tests are conducted using specific computer systems and reflect the approximate performance of Mac Studio. Prerelease Final Cut Pro 10.6.2 tested using a 1-minute picture-in-picture project with 18 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 56 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in February 2022 using preproduction Mac Studio systems with Apple M1 Ultra, 20-core CPU, 64-core GPU, 128GB of RAM, and 8TB SSD. macOS Ventura or later is required to edit Cinematic mode video captured on devices with iOS 16 or later. macOS Monterey or later is required to edit Cinematic mode video on devices with iOS 15.
0 Comments
Leave a Reply. |